Shiba Ryotaro’s “Junshi”

Shiba Ryotaro’s masterpiece Ryoma ga Yuku immortalized Sakamoto Ryoma in the psyche of the Japanese people. Along with that book and many others by Shiba, I also love this one, Junshi, about General Nogi Maresuke, the famed hero of the Russo-Japan War, formerly a samurai of Chōshū, whose seppuku in the wake of the death of the Meiji Emperor shocked the country. Junshi is the ancient practice of following one’s lord in death – and Shiba’s account of the incident is nothing short of awesome.

_____________

Recently I have been focusing on my forthcoming Samurai Swordsmen: The Definitive History of the Shinsengumi (1863–1869), scheduled for publication in fall 2026 with Helion. I also provide consulting on Bakumatsu–Meiji Restoration history and culture to authors, editors, publishers, documentarians, producers, screenwriters, and other professionals who need expert guidance on the era.

To explore my books on the Meiji Restoration, see Books at a Glance.

Follow me on Facebook | Amazon Author page

A Writer’s Bookshelf (5): The Nietzsche Edition

Included on these shelves are Nietzsche’s books, along with some of my favorite works of literature with Nietzschean themes. These books have provided me with a moral guide to help navigate through the morass of life in our times.

I have identified several fundamental Nietzshean ideas in the life and deeds of Sakamoto Ryoma, based on which I have written a long essay (not yet published).

Think big! Create!

A Writer’s Bookshelf (4): The Bakumatsu Edition

Included on these shelves are about forty of the most important books on the Bakumatsu era (“end of the shogunate,” 1853–1868) that I have referred to in my writing over the years (though by no means all of them). These volumes range from biographies and memoirs to domain histories and studies of the Meiji Restoration, and they have informed my work on Sakamoto Ryōma, Katsu Kaishū, the Shinsengumi, and other key figures of the “samurai revolution at the dawn of modern Japan.”

For readers interested in how I’ve drawn on these sources in my own books, see Books at a Glance.